Mike Morelli’s latest film isn’t your average indie movie. Even the experience of watching the trailer leaves an indelible impression. We talked to Mike about scaling up from features and...

After making multiple shorts and working on big budget productions, writer/director Hussein Hammouda decided to embark on his first feature, Dominoes. We spoke with Hussein about the objective of a f...

Steve Dayton’s latest feature film offering, gIVE, is a testament to resourcefulness and efficiency. Made over a few days and for a budget of $5,000, the movie is the result of the application...

Asif Akbar spoke with us about maximizing production days with two units shooting simultaneously, staying safe and finishing the shoot during a pandemic, and having the right mindset for a successful...

Erik Bernard’s path to becoming a filmmaker has been an interesting one. We were fortunate to connect with him and learn what went into the making of his new film (also his debut feature), The...

Dead Season is regarded as the first feature film shot on the Canon 7D DSLR camera. The micro-budget movie achieved international success, and a long-planned sequel is in the works, but delayed due t...

Nick Gregorio is a truly independent filmmaker with two features under his belt that he wrote, directed, and starred in. We spoke with him about returning to features to make his third movie, Christm...

Evan Kidd just released Panda Bear It, his second feature. Find out how the movie got made and how Evan adapted to the ever-evolving indie film landscape to release the film in the midst of a pandemi...

Retirement usually marks the end of a career and the beginning of days filled with leisure activities. That’s not the case for Mike Garland, who decided to dive into filmmaking and learn how to...

Every film has the capacity to be intensely personal, but when you make a documentary about your own relatives and their struggles with addiction, personal takes on a new meaning. Jason Charnick spok...